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A crescendo hits this weekend, when the RME doors open with a day of concerts Saturday and the public's first crack at the rich audio and visual archives. Maybe you'll try out instruments in the children's gallery, or check out the restored live footage of Bix Beiderbecke. Could be you'll work up a sweat following the dance moves diagrammed on the wall. You might just fall in love with Dixieland jazz all over again.
If there's a little more soul in your step as you head out the door, keep it there. After all, you're from the Quad-Cities, a renewed landmark in roots music.
Right now, the RME's 2nd floor is an impressive place for passive viewing. Spectators can spend hours clicking through performances on the River Wall in hushed quietness. Typically, they spend just a couple of minutes. The wall elicits smiles and affirming nods. But the performance excerpts never touch the soul.
No one dances.
RME is drawing good crowds with its Thursday Live at Five shows. But the Quad-Cities doesn't need a museum to run happy hours with bands.
The new RME needs to be a place where visitors do things together, not just watch something. Play, sing, dance, cheer and become part of the interaction that is live music.
Sunday,June 19, 2005: River Music Experience finds its stride
Some exciting new traveling and local exhibits are planned for this summer and Bozarth is dreaming up more exciting uses for the computer technology that created the River Wall.
But that part of the vision isn't paying the bills.
RME's ledger includes a $500,000 outstanding construction debt and operating expenses that require about $35,000 a month to break even, Bozarth says. His goal is to generate another $30,000 each month to build some cush for more programming.
Is this any way to run a museum? Of course not. But River Music Experience never claimed to be a museum. And it shouldn't be.
April 2, 2006: River Music Experience tries version 3.0
It opened in 2004 to wide acclaim for a largely visual attraction: the second floor River Wall that featured snippets and images of American music generally linked to the Mississippi River Valley.
It morphed the following year when new director Lon Bozarth put an emphasis on performance, increasing the number of events and launching the successful RMEcourtyard outdoor, summertime shows. He also created the inaugural River Roots music festival, intending it as an annual event responsible for generating as much as 20 percent of the RME's annual operating budget.
This week, RME opens the Redstone Room, a 175-seat performance hall that permanently evicts that old River Wall that was the opening exhibit just 21 months ago.
Nov. 13, 2006:RME starts over
Good-bye and good luck to River Music Experience CEO Lon Bozarth. He will leave behind a flock of admirers, a bloc of detractors, a few unfulfilled promises and a whole bunch of memorable river music experiences.
To be fair, the promises were more like dreams. But from Bozarth's lips, they were certainties. Wired classrooms and recording studios in the basement. Web dissemination and sale of RME-created music and videos. A network of live music marketers street teams, he called them that would create a music scene where none was before.
Harold Hill with a Texas drawl.
The Redstone Room may be best legacy Bozarth left after 22 months. His leadership created a place like no other around here. It seems to actually be creating a new music scene, one of Bozarth's promises.
Also gone from RMEis Ellis Kell, respected blues musician and the glue that held the place together under Gibbons and Bozarth.
DavenportOne can handle the books. Volunteers can handle the crowds or tour groups.
But someone's got to provide the mojo.
March 2, 2007:RME finds a groove
Skip the RIP for RME. Downtown Davenport's River Music Experience seemed teetering with abrupt departure of two successive directors. But a funny thing is happening...
Volunteers are rushing to the rescue.
Fans are packing the Redstone Room... for shows by Iris Dement, Marty Stuart, Alejandro Escovedo, 3 Years Hollow, The Winter Blanket, Andrew Landers and Ellis Kell, JSan & The Analogue Sons, and the sensational Smooth Jazz Series presentation of Gregg Karukas.
Sure, the challenges are far from over. But just three months ago, we wondered how a busy Downtown Partnership staff could not only sustain RME, but provide the mojo to keep things happening.
Looks like they found it.
May 17, 2007:RME finds the passion
The return this week of RME originator Ellis Kell shows even more promise. Rather than a step backward, Kell returns as program and education director, taking full - passionate - charge of the events that occur before dark in the RME and Redstone.
For those only passingly familiar with RME, it would seem as if Kell never left. He continued publicizing all kinds of events for RME.
Detractors can look at the revolving leadership and conclude RME is struggling. They'd be right.
But that's just part of the picture. Supporters who actually visit the RME are seeing a fuller picture.
Kell's return puts a face on the passion that's arising from the staff and growing volunteer corps. Stop in and welcome him back. Enjoy some music. And add your name to the volunteer list.
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